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edwardian fiction

Saturday Soirée: Carrie Turansky and The Governess of Highland Hall

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Carrie Turansky’s The Governess of Highland Hall:

AUTHOR NAME: Carrie Turansky
BOOK TITLE: The Governess of Highland Hall, Book One of the Edwardian Brides Series, published by WaterBrook Multnomah, a division of Random House, Releases October 15, 2013.
DESCRIPTION:
Two worlds . . . one calling. In 1911 Julia travels from the exotic land of India to Highland Hall, a magnificent English country estate. Will she follow her heart and stay on as governess for Sir William Ramsey, or will she return to her mission work and the life she left behind in India?

Missionary Julia Foster loves working alongside her parents, ministering and caring for young girls in India. But when the family must return to England due to illness, she readily accepts the burden for her parents’ financial support. Taking on a job at Highland Hall as governess, she quickly finds that teaching her four privileged, ill-mannered charges at a grand estate is more challenging than expected, and she isn’t sure what to make of the estate’s preoccupied master, Sir William Ramsey.

Widowed and left to care for his two young children and his deceased cousin Randolph’s two teenage girls, William is consumed with saving the estate from the financial ruin. The last thing he needs is any distraction coming from the kindhearted-yet-determined governess who seems to be quietly transforming his household with her persuasive personality, vibrant prayer life, and strong faith.

While both are tending past wounds and guarding fragile secrets, Julia and William are determined to do what it takes to save their families—common ground that proves fertile for unexpected feelings. But will William choose Julia’s steadfast heart and faith over the wealth and power he needs to secure Highland Hall’s future?

Endorsements for The Governess of Highland Hall:
There is much to like about Carrie Turansky’s The Governess of Highland Hall: A sweet, noble heroine, a proud, yet vulnerable hero, and a Downton Abbey-inspired setting. Endearing supporting characters and two romances add to the pleasure. Fans of Christian fiction and Downton Abbey will enjoy this story!
~Julie Klassen, best-selling author of The Tutor’s Daughter

“The Governess of Highland Hall is a delightful journey to Edwardian England with a cast of colorful characters and plot twists at every turn. With a nice mix of upstairs-downstairs drama and a spunky heroine, Carrie Turansky weaves a tale that will enchant “Downton Abbey” aficionados. Lovely and heartfelt.”
~ Carla Stewart, award-winning author of Chasing Lilacs and Sweet Dreams.

VIEW THE BOOK TRAILER:

BACKGROUND OF BOOK/WRITING:
When I attended the American Library Association Convention in Philadelphia in 2012, I had a discussion with an editor about the success of Downton Abbey, and she encouraged me to create a story with a heroine who was a governess and set it in England on an estate similar to Downton. That got my mental wheels turning. I was hesitant to follow up on the idea at first because I knew it would take a lot of research to create a story that rang true for that period. But one of my author friends, Cathy Gohlke, had just published a wonderful book (Promise Me This) set in early 1900s that started in England, so she loaded me up with research books and helped me believe I could do it. I am very grateful for her help!

Carrie and husband at Highclere Castle
Carrie and husband at Highclere Castle!
Then last summer my husband and I traveled to England. We rented a car and he drove over 400 miles on the wrong side of the road, seated in the wrong side of the car. He is an amazing man! We toured the Oxford area and visited Highclere Castle where Downton Abbey is filmed. That was a highlight of the trip for me. Then we toured the Cotswold area that has several lovely little villages that look very much like they did 100 years ago. We ended our time in England up in the Peak District and attended a country fair at Chatsworth which is an amazing estate with a very large and elaborate house and gardens. It was used as Mr. Darcy’s home in the latest version of Pride and prejudice. All of these travels were great inspiration for The Edwardian Brides Series.

LINKS:

I love to connect with reading friends!
Visit Carrie online at Website, Facebook, Pinterest, Goodreads, and on Twitter @CarrieTuransky!

PURCHASE THE BOOK:
Indiebound | B & N | Powell’s | Amazon | Christian Books

And wherever books are sold.

GIVEAWAY: Wentworth Hall by Abby Grahame

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Wentworth Hall by Abby Grahame

And you thought there were secrets in the Abbey . . .

The Darlington family of Wentworth Hall, an elite British family, fills their time by caring for their extensive estate, and looking over their shoulders as they struggle to keep up an elaborate charade to hide their scandalous secrets of illicit romances, and bitter betrayals.

Wentworth Hall is a lush historical novel by debut author Abby Grahame, which is spot-on perfect for fans of Downton Abbey!

Read an excerpt: http://www.scribd.com/doc/88290355/Wentworth-Hall-Excerpt

Keep your secrets safe with this Wentworth Hall prize pack!

One winner from Edwardian Promenade will receive a vintage diary and copy of Wentworth Hall!

Prize courtesy of Simon & Schuster

Contest open to US residents only

Closes Friday, April 27 at 12 AM EST

(more…)

Nicola Cornick, author of The Last Rake in London

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In celebration of both Nicola Cornick’s latest release, The Last Rake in London, and Mills & Boon’s 100th anniversary, I was delighted to have the opportunity to conduct and interview with this talented author.

From her official bio:

Nicola Cornick
Nicola was born in Yorkshire and spent the first eighteen years of her life there. She credits these early years with having a formative effect on her writers’ imagination in several ways. Firstly she went to school in the eighteenth century dower house that once belonged to the Earls of Harewood. In such auspicious surroundings her love of history and writing flourished, encouraged by some wonderful teachers. She also spent hours walking on the moors that inspired the Brontes and devoured a diet of costume dramas and historical novels. It was during this time that she developed a love of choral music and sang with various choirs that toured the UK and Europe.

In 2006 Nicola was awarded a Masters degree with distinction in Public History at Ruskin College, Oxford for her dissertation on heroes. She is currently researching the history of the National Trust property Ashdown House, in Oxfordshire, where she works as a guide. She also works in a second hand bookshop, which is like letting a chocolate addict loose in a sweet shop Her other interests are wildlife and conservation, music, reading and training guide dog puppies.

Nicola has written 26 historical romances for Harlequin Mills and Boon and HQN Books. She has been short-listed for the RWA RITA® Award, nominated twice for the RNA Romance Prize and Romantic Times Reviewer’s Choice awards, and has won the LORIES Award of Excellence.

Ashdown House © NTPL / John Blake Let’s start by getting to know you better. I notice on your website that you work for Ashdown House (I’m green with envy). Care to share the background of the home and your work? How has your work in the manor home influenced your writing?

Thank you very much for inviting me to talk to you today and also for asking about Ashdown House! It is one of the great passions of my life, along with my writing and my family (not necessarily in that order!) Ashdown was built in the seventeenth century by the chivalrous and heroic cavalier William, First Earl of Craven. He was a loyal supporter of Elizabeth of Bohemia, the Winter Queen, and he intended the house to be a home for her but sadly she died before it was completed. She left her portrait collection to William Craven as a thank you for the devoted service he had given to her. It is an amazing experience for me to be able to show visitors around the house and the portrait collection, and to talk to them about the Craven family.

One of the later Earls of Craven married Cornelia Martin, an American heiress. She was only sixteen years old when they met and they had a sumptuous wedding in New York. The Cravens had started out as a fabulously wealthy family, the third richest in England, but by the end of the nineteenth century, when the marriage took place, they were heavily mortgaged. Cornelia transformed the family fortunes and also transformed the Craven mansion houses and their grounds with her money and immaculate taste and style. I would love to write her story one day.

Working at Ashdown has been inspirational for my writing. The history of the house and the era in which it was built fascinate me. I set one of my books, Lord Greville’s Captive, during the English Civil War. One of my favourite occupations is visiting historic houses and soaking up the atmosphere. I always come away bubbling with ideas for stories!

Though the majority of historical romance is set in 19th century Britain, the genre is dominated by American writers. What has been your experience as a British writer of British-set historical romance?

It wasn’t until I was published in the US that I realised how popular the Regency genre was with US and readers and authors. As a reader it was a marvellous discovery for me as I had run through all the UK-published regencies and was desperate for more. You can imagine how excited I felt on discovering such a thriving Regency historical romance genre in the US! The quality of the writing is so high and there is an energy and excitement about US-published historicals that I find makes them huge fun to read.

As a British writer I think it’s true to say that the US is a very difficult market to break into because the competition is so tough and the standard of the writing so high. I think I have been very, very fortunate to be published in the US as well as the UK and to be able to build up a readership that seems to enjoy my “English voice” and get my sense of humour! These days I do think that the UK and US markets have moved much closer together, the US books are available in the UK via the internet and the two readerships talk to each other a lot more on internet loops and groups.

Lord of ScandalFor those unfamiliar with your work, how would you describe your novels?
I’d say they are intensely emotional and pretty hot historicals!

What are some of the themes that draw you to historical romance?
Mmm, that’s an interesting one. I’m not sure that I was consciously aware of any themes drawing me in when I started writing. It was such an instinctive thing and I didn’t stop to analyse it. Later on I became fascinated by similarities and differences throughout history. I like exploring whether human emotions are universal, regardless of the age and place we live. I also like looking at themes such as celebrity, which sound so modern and yet have parallels throughout history. In Lord of Scandal, for example, I was looking at the cult of celebrity in the Regency period and in The Earl’s Prize I explored what it might be like to be a Regency lottery winner.

What authors and/or books have inspired you to be the writer you are today?
Gosh, where do I start? There are so many wonderful authors whose writing I have found inspirational since I was a child. My all time favourites are Jane Austen, Dodie Smith and Robert Neill, whose wonderful historical Mist Over Pendle was hugely influential on me when I was in my teens and is still on my keeper shelf. I also went through a period of devouring time shift novels: Barbara Erskine and James Long (whose book Ferney is one of the best timeshift books ever in my opinion) and Susanna Kearsley.

In terms of Regency romance, is there anyone who comes to reading or writing that without being inspired by Georgette Heyer? Devil’s Cub and The Talisman Ring remain my favourites, up against some pretty stiff competition! Alice Chetwynd Ley was an author whose Regencies I discovered in the 1970s and whose books I still adore. I’d better stop there – I think I could talk endlessly about the authors who have inspired me!

The Last Rake in LondonWhat made you accept the offer to write a novel set in 1908 for Mills and Boon’s 100th anniversary?
I was intrigued and also rather apprehensive when Mills & Boon asked me to write a book set in 1908 as part of their centenary celebrations. I had never set a book in that era before and it was also a very long time since I had studied the Edwardian period so I wasn’t 100% sure I was qualified to do the job! In the end I accepted because I thought I would enjoy the stimulation of writing a book set in a different era and also because I had a very personal connection with 1908; my grandmother, who died earlier this year, would have celebrated her 100th birthday last month so 1908 was “her” year too.

I’ve been studying the Edwardian era for the past five years, and still find new things every day that fascinate me. As you researched The Last Rake in London, what were some things that caught your attention?
I think that the thing that struck me very hard was that some aspects of the society and culture seemed very modern and familiar whilst others seemed utterly alien and divided from the present by an enormous gulf of years and experience. Technology was further advanced than I had realised – I was astonished to discover, for example, that some of the London Underground was up and running and that it was already called “The Tube” as it is today. The other thing that fascinated me was the fight for women’s suffrage, which I had studied a little as part of my MA course at Ruskin College, Oxford. I am someone who believes in exercising her right to vote but when I was reminded of the struggle my forbears had gone through to gain me that right, it was very humbling.

Did you find any similarities between the Regency era and the Edwardian era?
The more I read up on the Edwardian period, the more similarities I noticed. Both eras are known for the dazzling opulence of high society, the lavish country house parties and the glittering London Season but beneath that seethes layers of poverty and violence and deprivation. In both cases the extremes of affluence and poverty were very marked. I think that the more you study it, the more the parallels become apparent.

Dauntsey Park: The Last Rake in LondonWhat resources did you find most helpful for this period?
I started off by watching some costume dramas set in the period, such as the Duchess of Duke Street and Upstairs Downstairs. I felt that would get me into the right mindset and give me a feel for the period. It was great to rediscover those series as they were programmes I had enjoyed in my youth. I also drew on my memories of some of the National Trust properties that I had visited that had Edwardian interiors, such as Lindisfarne Castle, which although it was originally a Tudor fortress was redesigned by Lutyens in 1903.

Once I felt that I had absorbed something of the atmosphere of the period I turned to my reading. Some of the books I enjoyed the most and found the most useful were:

The Edwardians by Roy Hattersley

The Edwardian Country House by Juliet Gardiner

Victorian and Edwardian London by A R Hope Moncrieff

Anything else you’d like to add?
Only to thank you very much for inviting me to blog on Edwardian Promenade and to say that I wish I had found the site before I wrote the book. It’s fascinating and I’ll be returning often. Thank you!

The Last Rake of London can be purchased from amazon, and from eharlequin.

January 2012: The Last Rake in London has been reissued as Dauntsey Park: The Last Rake in London