Though women did not receive the vote and were not permitted to stand for Parliament until 1918, laws were passed prior to this, which increased the role women played in their local government. In 1869, the Municipal Franchise Act gave unmarried women ratepayers the vote in council elections, thereby restoring the right lost to them under the 1835 Municipal Corporations Act. After the passage of the 1870 Elementary Education Act, they could vote and stand for election to the new school boards, in 1875 the first female Poor Law Guardian was elected, and under the 1894 Local Government Act, women could vote and stand for the Parish and District Council, all of which opened up a wider sphere of political work hitherto barred for women. Soon after the first election for the Parish and District Council, close to 2000 women were engaged in administrative work on school boards, poor law boards, parish vestries, and various parish and district councils. By the turn of the century, women could vote and stand for these positions throughout Great Britain and Ireland.
The life of Victoria Sackville-West is fascinating and scandalous. She was the illegitimate daughter of Lionel Sackville-West, a diplomat, and his Andalusian mistress, Josefa Duran, a dancer known as “Pepita.” Over the course of their nineteen year affair (never legalized, since Pepita’s estranged husband outlived her), conducted around the diplomatic capitals of Europe, they produced five children–two sons, Max and Henry, and three daughters, Victoria, Flora, and Amalia. When Victoria was three, Lionel purchased a home in the south of France for his growing family, and there he visited his mistress and children four or five times a year. Though acknowledged by their father, Victoria and her siblings lived in limbo, unable to play with neighborhood children because of their illegitimacy, yet possessing a comfortable lifestyle which would have normally accorded them entree into good circles.
When Pepita died in childbirth in 1871, Lionel’s secret life began to unravel, primarily when his family, from whom he borrowed heavily, discovered why loans were secured. He escaped to Buenos Aires as British Minister to Argentina and the children were taken in by a French family. Victoria was then educated at the Convent of St Joseph in Paris, where she graduated seven years later with a certificate enabling her to work as a governess. In 1880, Victoria and her siblings came to England (with the exception of the eldest boy Max, who was sent to South Africa), where they were abruptly told of their illegitimate birth. There they met their father’s powerful family: Uncle Reginald (the Earl De La Warr), Uncle Mortimer (Baron Sackville), Aunt Bessie (Duchess of Bedford), and Aunt Mary (Countess of Derby). The Sackville-West family was not pleased with the existence of half-Spanish illegitimate nieces and nephews, but family was family (though the children were not allowed to meet anyone during visits to their aunts and uncles homes, and Aunt Mary advised them to drop Sackville from their name and go by plain West).
It was Aunt Mary, however, who saw something special in the nineteen year old Victoria. Lady Derby secured the support of Foreign Secretary, Lord Granville, and Queen Victoria to have Victoria sent to Washington as hostess to her father Lionel, who had been recently appointed as British Minister to the United States. After the obtaining the approval of First Lady Mrs. Garfield and her committee, consisting of the wives of the Secretary of State, Under-Secretary of State, and the leading Republican senator, Victoria traveled across the Atlantic in 1881 and was an instant hit with Washington society. Though she spoke little English at first and was ill-educated for the role, Victoria had plenty of charisma and good manners, which saw her through seven seasons as her father’s hostess, and she attracted dozens of marriage proposals.
Their tenure in Washington ended in 1888, when Lionel was embroiled in a political controversy over the writing of the “Murchison letter” and he was forced to resign his post. This was a blow to Lionel’s diplomatic career, but not too harsh, for he unexpectedly inherited the title of Baron Sackville and the enormous manor home, Knole, which came with it. Victoria fell in love with Knole at first sight and threw herself headfirst into the running of the house. However, she faced a dilemma when she met her cousin Lionel (her father was called “Old Lionel” to distinguish between the two), who was five years her junior and who fell desperately in love with her. Victoria had a serious suitor in the Marquis de Loys Chandieu, but cousin Lionel would both legitimize her name and keep Knole in her control when he inherited from her father. Marriage to Lionel also had the approval of her extended family, whose cool reception upon first meeting Old Lionel’s children still stung. With this pressure behind her, Victoria did the sensible thing and accepted her cousin’s proposal.
Victoria and Lionel married June 17, 1890 and surprisingly (or perhaps not…?) their marriage began with mutual passion. Victoria’s coded diaries full of where, how often, and when they made love. Their daughter Vita was born in 1892, but was to be their only child, for Victoria found the process of childbirth horrifying. Under Victoria’s direction, Knole moved into the dawning twentieth century with the installation of a telephone, of electricity, central heating, and bathrooms with running water. In the Edwardian era, an invitation to Knole for a Saturday to Monday was highly sought-after, though the glittering social life was a facade as the income derived from the land fell considerably. The Sackvilles sold paintings to fill up their dwindling coffers and Victoria proved to have a knack for finance, forming friendships with influential men from the City.
However, a bombshell was thrown in their midst when her brother Henry claimed to own papers proving his legitimacy and status as heir to the barony and to Knole. The court case tore the siblings apart and was not legally resolved until years after Old Lionel’s death in 1908. In the meantime, Victoria had to deal with her legal scandal, when close friend and confidant Sir John Murray Scott, known as “Seery,” died and left her £150,000 and the contents of his house in Paris.
Though the larger part of Seery’s £1,180,000 fortune was divided between his siblings, they contested the will, accusing Victoria of wielding undue influence over him and alienating him from his family. The case came to court in June of 1913 and was a social spectacle, with aristocratic ladies filling the public gallery and snacking on food brought in luncheon hampers during the eight day case. The alluring Victoria dazzled and amused the jurors, giving a performance worthy of an Oscar or BAFTA, and she was of course, found not guilty of fraud or coercion. Today, Victoria Sackville-West is overshadowed by her daughter Vita’s literary output, but even to Vita, despite their difficult relationship in later years, her mother reigned supreme and incredibly fascinating.
Further Reading: Inheritance: the Story of Knole and the Sackvilles by Robert Sackville-West Lady Sackville by Mary Alsop
Behind the door, under a thick layer of dust lay a treasure trove of turn-of-the-century objects including a painting by the 19th century Italian artist Giovanni Boldini.
The woman who owned the flat had left for the south of France before the Second World War and never returned.
But when she died recently aged 91, experts were tasked with drawing up an inventory of her possessions and homed in on the flat near the Trinité church in Paris between the Pigalle red light district and Opera.
Entering the untouched, cobweb-filled flat in Paris’ 9th arrondissement, one expert said it was like stumbling into the castle of Sleeping Beauty, where time had stood still since 1900.
“There was a smell of old dust,” said Olivier Choppin-Janvry, who made the discovery. Walking under high wooden ceilings, past an old wood stove and stone sink in the kitchen, he spotted a stuffed ostrich and a Mickey Mouse toy dating from before the war, as well as an exquisite dressing table.
But he said his heart missed a beat when he caught sight of a stunning tableau of a woman in a pink muslin evening dress.
The painting was by Boldini and the subject a beautiful Frenchwoman who turned out to be the artist’s former muse and whose granddaughter it was who had left the flat uninhabited for more than half a century.
The muse was Marthe de Florian, an actress with a long list of ardent admirers, whose fervent love letters she kept wrapped neatly in ribbon and were still on the premises. Among the admirers was the 72nd prime minister of France, George Clemenceau, but also Boldini.
The expert had a hunch the painting was by Boldini, but could find no record of the painting. “No reference book dedicated to Boldini mentioned the tableau, which was never exhibited,” said Marc Ottavi, the art specialist he consulted about the work.
When Mr Choppin-Janvry found a visiting card with a scribbled love note from Boldini, he knew he had struck gold. “We had the link and I was sure at that moment that it was indeed a very fine Boldini”.
He finally found a reference to the work in a book by the artist’s widow, which said it was painted in 1898 when Miss de Florian was 24.
The starting price for the painting was €300,000 but it rocketed as ten bidders vyed for the historic work. Finally it went under the hammer for €2.1 million, a world record for the artist.
“It was a magic moment. One could see that the buyer loved the painting; he paid the price of passion,” said Mr Ottavi.